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Sony Alpha a7S III Mirrorless Digital Camera (Body)

  • 12MP Full-Frame Exmor R BSI CMOS Sensor
  • 5-Axis SteadyShot Image Stabilization
  • UHD 4K 120p Video, 10-Bit 4:2:2 Internal
  • 3.0″ 1.44m-Dot Vari-Angle Touchscreen
  • 16-Bit Raw Output, HLG & S-Log3 Gammas
  • Dual CFexpress Type A/SD Card Slots

334,990 299,990

Availability:

Only 2 left in stock

Description

Sony Alpha a7S III Mirrorless Digital Camera (Body Only)

For visual trailblazers
With extreme full-frame movie performance including high sensitivity (expanded ISO up to 409600), 15-stop wide dynamic range, 4K 120p, fast and dependable autofocusing, and extra-strong image stabilisation, the α7S III again raises the bar for movie makers.

Large pixels deliver high sensitivity and low noise
The new full-frame 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor packs major innovations in light gathering, wiring and output optimisation. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF.

Up to 8x more powerful4 BIONZ XRTM image processor
Along with the new sensor and its unprecedented speed, the BIONZ XR image processing engine has also been newly developed and packs up to 8x more processing power4. With a future-oriented architecture, it delivers high-quality images faster for superlative still and video expression, as well as dramatically improved camera interface responsiveness.

Stunning AF performance even at 4K 120p
The new Exmor R full-frame image sensor and revolutionary BIONZ XR image processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second1 or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular.

10-bit 4:2:2 recording
Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.

All-Intra encoding available
As well as Long GOP, All-Intra encoding is now provided. This encodes every frame independently at bitrates up to 600 Mbps, to capture complex motions more accurately for recording on either internal or external media, and allow more efficient editing workflows.
[1] All-Intra (All-I) [2] Long GoP [3] Group of Pictures

Superior quality and smaller files with XAVC HS
The new XAVC HS recording format uses HEVC/H.265 encoding to achieve twice the compression efficiency of AVC/H.264 encoding, for superior image quality and smaller file sizes.

Our renowned sensitivity delivers expanded ISO 409600
The renowned sensitivity of the series scales new heights, with an expanded ISO range for movies from 80 to a remarkable 409600 (standard range 80–102400). With advanced light-gathering and output optimisation, the 12.1-megapixel2 full-frame sensor achieves low noise throughout the sensitivity range, and can capture usable images in near total darkness.

S-Log3 gamma, S-Gamut3.Cine gamut as on pro camcorders
The S-Log3 gamma curve and S-Gamut3.Cine colour gamut, shared with pro camcorders, provide wider dynamic range and easier colour matching for smoother post-production workflows.

HLG (Hybrid Log-Gamma)
HLG (Hybrid Log Gamma) simplifies HDR production, producing footage for HLG-compatible BRAVIA TVs on the camera with no complex post-production, and smooth gradations from the 10-bit colour depth.
[1] High flexibility to fine-tune images as desired (colour grading required)
[2] Instant high-quality image (colour grading not required)

Image quality improvements
The new BIONZ XR image processing engine delivers improvements in colour reproduction, stability against different light sources, natural tonal gradation and roll-off, and reduced rolling shutter.

16-bit RAW HDMI output
For demanding post-production workflows, 16-bit RAW output6 is available via HDMI connection to compatible external recorders7 while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy files are simultaneously captured in-camera.

Efficient editing through proxy recording
While recording high-bitrate 4K movies, HD proxies (in 8 or 10-bit depth) can be generated in-camera8. Editing the smaller proxy files reduces computer load and speeds up workflow prior to final 4K delivery.

Fast Hybrid AF for accuracy and tenacity
The wide-area AF uses intelligent tracking and on-sensor phase-detection covering most of the frame. The result is that every bit of supremely accurate and tenacious AF performance is extracted in combination with high-quality E-mount lenses, even when shooting moving subjects at shallow depths-of-field in 4K and at 120p frame rates.

Powerful focus control for solo shooters
With AF Transition Speed selectable over 7 levels, and AF Subject Shift Sensitivity over 5 levels, you can better convey your creative intentions when switching subjects or, for example, rack focusing. A simple touch can temporarily activate AF even during manual focus operation.

Real-time Eye AF for movies
Real-time Eye AF uses AI to ensure pinpoint focusing precision for eyes, with performance now improved by 30%9 on profile or partially obscured faces. Tenacious eye tracking lets you concentrate on composition even with a shallow focus depth.

Real-time Tracking with intuitive touch operation
Real-time Tracking analyses subject colour, pattern, depth, and face information to track the subject. Touch Tracking intuitively and automatically tracks a subject touched on the LCD screen.

In-body 5-axis image stabilisation
A highly accurate image stabilisation unit and gyro-sensor are provided, delivering 5-axis optical image stabilisation.
[1] Yaw [2] Roll [3] Pitch

Active Mode for hand-held shooting
The new Active Mode10 11 provides increased stabilisation for movie shooting. To preserve image quality, the BIONZ XR processor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held where space restraints prevent gimbal use, while walking, and at 4K resolution.

Digital audio interface for clear sound recording
A digital audio interface added to the Multi Interface (MI) Shoe allows direct 24-bit input. Available settings are 48 kHz/16-bit 2-ch, and by using the optional XLR-K3M adaptor kit, 48 kHz/24-bit 2-ch and 48 kHz/24-bit 4-ch.

Unique heat dissipation, for dependable recording
A unique Sony Σ (sigma) shaped graphite heatsink is built into the image-stabilisation unit. This dissipates heat 5x more effectively12 for extended recording time, without interfering with image stabilisation.

Movie-shooting comfort
Responding to feedback from professional users, the MOVIE button has been moved to the top face for improved operability in any shooting position. Mode dial ordering and speed of switching have also been improved.

High ISO sensitivity
With an amazingly wide standard ISO range of 80–102400 (expandable to 40–409600 for stills), the α7S III offers incredible creative opportunities. The newly developed image sensor and image processing algorithms produce even cleaner images and more natural textures than the previous α7S II model, even when shooting in near total darkness.

Fast Hybrid AF for stills
The Fast Hybrid AF system combines speed and precision. With 759 focal plane phase-detection sensors and 425 contrast-detection points distributed across most of the image area, the α7S III quickly finds and tracks your subject throughout the frame.

Outstanding continuous shooting performance
Use your choice of mechanical or electronic shutter for continuous burst shooting, with AF/AE tracking, at up to 10 fps. Capture decisive moments with over 1,000 frames of continuous uncompressed RAW shooting possible

Highly sensitive AF for low-light focusing
AF algorithm advances have allowed the α7S III to achieve autofocus in lighting conditions as dim as EV-6, where subjects are barely even visible with the naked eye.

Still-image quality advances through new sensor and engine
The newly developed image sensor and image processing engine deliver improvements in colour reproduction, particularly of skin tones, and texture depiction in still images.

New HEIF format and HLG image capture modes
The HEIF image file format is supported, offering better image quality and greater compression efficiency than JPEG, plus 10-bit colour. High Dynamic Range still images can also be captured in HLG mode for viewing on compatible TVs.

Two CFexpress Type A-compatible media slots
Both card slots support both ultra-fast CFexpress Type A cards, allowing high-bitrate recording and fast buffer clearance, and SDXC UHS-II cards. Parallel and Relay recording are also available.

Vari-angle LCD monitor for comfortable movie shooting
The variable-angle 1.44 million-dot 3.0-type touch screen features a side-open design, for flexible positioning and improved visibility when mounting on gimbals or rigs.

9.44 million-dot high-definition electronic viewfinder
The new EVF offers resolution, contrast and colour unlike anything in its class. It also offers world-leading 0.9x finder magnification, a 41 ° diagonal field of view, and a 25-mm-high eyepoint.

Advanced operability
The menu structure has been redesigned to reflect feedback from both pro photographers and videographers. Camera settings are now more intuitive and the camera is more responsive to setting changes.

New menu structure
Based on requests from our most demanding professional users, major improvements have been made to the menu structure, for improved at-a-glance readability and reduced menu navigation.

Intuitive touch operation
The menu screen can be operated by touch, while the playback screen features swiping, and pinch-to-zoom. Operability of the touch functions when shooting has also been improved.

5 GHz Wi-Fi compatible
As well as 2.4 GHz, 5 GHz Wi-Fi® connectivity is provided for remote operation, wireless preview, and faster and more stable data transfer of both still images and video.

Wired LAN connectivity
For complex, interference-prone environments, or higher bandwidth needs, 1000BASE-T wired LAN connectivity is available by connecting a compatible USB-Ethernet adaptor cable to the camera’s USB Type C® port.

Remote preview and shooting
Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge MobileTM installed, for more efficient workflows and shooting in challenging environments.

Imaging Edge Desktop
Elevate your photography with Imaging Edge Desktop applications. Use “Remote” to control and monitor shooting live on your PC screen; “Viewer” to quickly preview, rate, and select photos from large image libraries; and “Edit” to develop RAW data into high-quality photos for delivery. Get the best from Sony RAW files, and manage your productions more efficiently.

Capture One for Sony
Capture One Express (for Sony) is free award-winning editing software that provides RAW development, easy management and powerful editing tools. Capture One Pro (for Sony) is also available for even more editing tools and tethered shooting capability.

Specifications

LENS MOUNT
E-mount
ASPECT RATIO
3:2
NUMBER OF PIXELS (EFFECTIVE)
Approx. 12.1 megapixels
NUMBER OF PIXELS (TOTAL)
Approx. 12.9 megapixels
SENSOR TYPE
35 mm full frame (35.6×23.8 mm), Exmor R CMOS sensor
ANTI-DUST SYSTEM
Yes (Charge protection coating on Optical Filter and ultrasonic vibration mechanism)
RECORDING FORMAT
JPEG (DCF Ver. 2.0, Exif ,Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)
IMAGE SIZE (PIXELS) [3:2]
35 mm full-frame L: 4240 x 2832 (12M), M: 2768 x 1848 (5.1M), S: 2128 x 1416 (3.0M), APS-C L: 2768 x 1848 (5.1M), M: 2128 x 1416 (3.0M), S: 1376 x 920 (1.3M)
IMAGE SIZE (PIXELS) [4:3] 
35 mm full-frame L: 3776 x 2832 (11M), M: 2464 x 1848 (4.6M), S: 1888 x 1416 (2.7M) APS-C L: 2464 x 1848 (4.6M), M: 1888 x 1416 (2.7M), S: 1232 x 920 (1.1M)
IMAGE SIZE (PIXELS) [16:9]
35 mm full-frame L: 4240 x 2348 (10M), M: 2768 x 1550 (4.3M), S: 2128 x 1200 (2.6M), APS-C L: 2768 x 1560 (4.3M), M: 2128 x 1200 (2.6M), S: 1376 x 776 (1.1M)
IMAGE SIZE (PIXELS) [1:1] 
35-mm full frame L: 2832 x 2832 (8 M), M: 1840 x 1840 (3.4 M), S: 1408 x 1408 (2.0 M),APS-C L: 1840 x 1840 (3.4 M), M: 1408 x 1408 (2.0 M), S: 912 x 912 (0.8 M)
IMAGE QUALITY MODES
RAW (Compressed/Uncompressed), JPEG (Extra fine/Fine/Standard), HEIF (4:2:0 / 4:2:2) (Extra fine/Fine/Standard), RAW and JPEG, RAW and HEIF
PICTURE EFFECT
CREATIVE STYLE
PICTURE PROFILE
Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
DYNAMIC RANGE FUNCTIONS
Off, Dynamic Range Optimiser (Auto/Level (1–5))
COLOUR SPACE
sRGB standard (with sYCC gamut) and Adobe RGB standard compatible with TRILUMINOS Colour. BT.2020 standard.
14BIT RAW
Yes
RECORDING FORMAT
XAVC S, XAVC HS
VIDEO COMPRESSION
XAVC S: MPEG-4 AVC/H.264, XAVC HS: MPEG-H HEVC/H.265
AUDIO RECORDING FORMAT
XAVC S: LPCM 2ch, LPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch
COLOUR SPACE
BT.2020 standard compatible with TRILUMINOS Colour
PICTURE EFFECT
CREATIVE STYLE
PICTURE PROFILE
Yes (Off/PP1-PP10) Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Colour Mode, Saturation, Colour Phase, Colour Depth, Detail, Copy, Reset
CREATIVE LOOK
ST, PT, NT, VV, VV2, FL, IN, SH, BW, SE, Custom Look (1-6)
MOVIE RECORDING SYSTEM (XAVC HS 4K)
3840 x 2160 (4:2:0, 10 bit, NTSC) (Approx.): 120p (200 Mbps), 60p (150 Mbps / 75 Mbps / 45 Mbps), 24p (100 Mbps / 50 Mbps / 30 Mbps); 3840 x 2160 (4:2:0, 10 bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps / 75 Mbps / 45 Mbps); 3840 x 2160 (4:2:2, 10 bit, NTSC) (Approx.): 120p (280 Mbps), 60p (200 Mbps / 100 Mbps), 24p (100 Mbps / 50 Mbps); 3840 x 2160 (4:2:2, 10 bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps / 100 Mbps)
MOVIE RECORDING SYSTEM (XAVC S 4K)
3840 x 2160 (4:2:0, 8 bit, NTSC) (Approx.): 120p (200 Mbps), 60p (150 Mbps), 30p (100 Mbps / 60 Mbps), 24p (100 Mbps / 60 Mbps); 3840 x 2160 (4:2:0, 8 bit, PAL) (Approx.): 100p (200 Mbps), 50p (150 Mbps), 25p (100 Mbps / 60 Mbps); 3840 x 2160 (4:2:2, 10 bit, NTSC) (Approx.): 120p (280 Mbps), 60p (200 Mbps), 30p (140 Mbps), 24p (100 Mbps); 3840 x 2160 (4:2:2, 10 bit, PAL) (Approx.): 100p (280 Mbps), 50p (200 Mbps), 25p (140 Mbps)
MOVIE RECORDING SYSTEM (XAVC S HD)
1920 x 1080 (4:2:0, 8 bit, NTSC) (Approx.): 120p (100 Mbps / 60 Mbps), 60p (50 Mbps / 25 Mbps), 30p (50 Mbps / 16 Mbps), 24p (50 Mbps); 1920 x 1080 (4:2:0, 8 bit, PAL) (Approx.): 100p (100 Mbps / 60 Mbps), 50p (50 Mbps / 25 Mbps), 25p (50 Mbps / 16 Mbps); 1920 x 1080 (4:2:2, 10 bit, NTSC) (Approx.): 60p (50 Mbps), 30p (50 Mbps), 24p (50 Mbps); 1920 x 1080 (4:2:2, 10 bit, PAL) (Approx.): 50p (50 Mbps), 25p (50 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I 4K)
3840 x 2160 (4:2:2, 10 bit, NTSC) (Approx.): 60p (600 Mbps), 30p (300 Mbps), 24p (240 Mbps); 3840 x 2160 (4:2:2, 10 bit, PAL) (Approx.): 50p (500 Mbps), 25p (250 Mbps)
MOVIE RECORDING SYSTEM (XAVC S-I HD)
1920 x 1080 (4:2:2, 10 bit, NTSC) (Approx.): 60p (222 Mbps), 30p (111 Mbps), 24p (89 Mbps); 1920 x 1080 (4:2:2, 10 bit, PAL) (Approx.): 50p (185 Mbps), 25p (93 Mbps)
SLOW AND QUICK MOTION (SHOOTING FRAME RATE) 
NTSC mode: 1 fps, 2 fps, 4 fps, 8 fps, 15 fps, 30 fps, 60 fps, 120 fps, 240 fps, PAL mode: 1 fps, 2 fps, 3 fps, 6 fps, 12 fps, 25 fps, 50 fps, 100 fps, 200 fps
MOVIE FUNCTIONS
Audio Level Display, Audio Rec Level, PAL/NTSC Selector, Proxy Recording (1280 x 720 [6 Mbps], 1920 x 1080 [9 Mbps], 1920 x 1080 [16 Mbps]), TC/UB, Auto Slow Shutter, Gamma Disp. Assist, RAW Output (HDMI)
LOCATION INFORMATION LINK FROM SMARTPHONE
Yes
MEDIA
SD memory card, SDHC memory card (UHS-I/II compliant), SDXC memory card (UHS-I/II compliant), CFexpress Type A memory card
MEMORY CARD SLOT
SLOT1: Multi slot for SD (UHS-I/II-compliant) memory card/CFexpress Type A card, SLOT2: Multi slot for SD (UHS-I/II-compliant) memory card/CFexpress Type A card
RECORDING MODE ON 2 MEMORY CARDS
Simult. Rec, Sort, Auto Switch Media, Copy
NOISE REDUCTION
Long exposure NR: On/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal / Low / Off
WHITE BALANCE MODES
Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash / Underwater / Colour Temperature (2500 to 9900K) & colour filter / Custom
SHUTTER AWB LOCK 
Yes (Shut. Halfway Down / Cont. Shooting / Off)
FOCUS TYPE
Fast Hybrid AF (phase-detection AF / contrast-detection AF)
FOCUS SENSOR
Exmor R® CMOS sensor
FOCUS POINT
35-mm full frame: 759 points (phase-detection AF), APS-C mode with FF lens: 345 points (phase-detection AF), with APS-C lens: 285 points (phase-detection AF) / 425 points (contrast-detection AF)
FOCUS SENSITIVITY RANGE
EV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)
FOCUS MODE
AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus
FOCUS AREA
Wide / Zone / Centre / Flexible Spot / Expanded Flexible Spot / Tracking
EYE AF
[Still images] Human (Right/Left Eye Select) / Animal, [Movie] Human (Right/Left Eye Select)
OTHER FEATURES
Predictive control, Focus lock, AF Track Sens. (Still), AF Subj. Shift Sensitivity (Movie), AF Transition Speed (Movie), Switch V/H AF Area, AF Area Regist., Circ. of Focus Point
AF ILLUMINATOR
Yes (with Built-in LED type)
AF ILLUMINATOR RANGE
Approx. 0.3 m—approx. 3.0 m (with FE 28–70 mm F3.5-5.6 OSS lens attached)
FOCUS TYPE WITH LA-EA3 (SOLD SEPARATELY)
Phase-detection
METERING TYPE
1200-zone evaluative metering
METERING SENSOR
Exmor R® CMOS sensor
METERING SENSITIVITY
EV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)
METERING MODE
Multi-segment, Centre-weighted, Spot, Spot Standard/Large, Entire Screen Avg., Highlight
EXPOSURE COMPENSATION
+/- 5.0 EV (1/3 EV, 1/2 EV steps selectable) (with exposure compensation dial: +/- 3 EV [1/3 EV steps])
EXPOSURE BRACKETING
Bracket: Cont., Bracket: Single, 3/5/9 frames selectable. (Ambient light, Flash light)
AE LOCK
Locked when shutter button is pressed halfway. Available with AE lock button. (On/Off/Auto)
EXPOSURE MODES
AUTO (iAuto), Programmed AE (P), Aperture priority (A), Shutter-speed priority (S), Manual (M), Movie (Programmed AE (P)/Aperture priority (A)/Shutter-speed priority (S)/Manual (M)/Flexible Exp. Mode), Slow and Quick Motion (Programmed AE (P)/Aperture priority (A)/Shutter-speed priority (S)/Manual (M)/Flexible Exp. Mode)
ISO SENSITIVITY (RECOMMENDED EXPOSURE INDEX)
Still images: ISO 80–102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), Movies: ISO 80–102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)
ANTI-FLICKER SHOOT.
Yes
SCENE SELECTION
VIEWFINDER TYPE
1.6 cm (0.64 type) electronic viewfinder (colour)
NUMBER OF DOTS
9 437 184 dots
FIELD COVERAGE
100%
MAGNIFICATION
Approx. 0.90 x (with 50-mm lens at infinity, -1m-1)
DIOPTRE ADJUSTMENT
-4.0 to +3.0 m-1
EYE POINT
Approx. 25-mm from the eyepiece lens, 21-mm from the eyepiece frame at -1m-1 (CIPA standard)
DISPLAY FUNCTION
Histogram, Real-time image-adjustment display, Digital level gauge, Grid line, Focus check, Peaking MF, Zebra, Movie marker, Emph disp dur REC
FINDER FRAME RATE SELECTION
NTSC mode: STD 60fps/HI 120fps, PAL mode: STD 50fps/HI 100fps
MONITOR TYPE
7.5 cm (3.0-type) type TFT
NUMBER OF DOTS
14,40,000 dots
TOUCH PANEL
Yes
BRIGHTNESS CONTROL
Manual (5 steps between -2 and +2), Sunny Weather mode
ADJUSTABLE ANGLE
Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.
FOCUS MAGNIFIER
Yes, Focus Magnifier (35-mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)
PLAYMEMORIES CAMERA APPS™
CLEAR IMAGE ZOOM
Still images: Approx. 2x, Movies: Approx. 1.5x (4K), Approx. 2x (HD)
DIGITAL ZOOM
Smart zoom (Still images): 35 mm full-frame: M: Approx. 1.5x, S: Approx. 2x, APS-C: M: Approx. 1.3x, S: Approx. 2x, Digital zoom (Still images): 35 mm full-frame: L: Approx. 4x, M: Approx.6.1x, S: Approx. 8x, APS-C: L: Approx. 4x, M: Approx. 5.2x, S: Approx. 8x, Digital zoom (Movie): 35 mm full-frame: Approx. 4x , APS-C: Approx. 4x
FACE DETECTION
Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority
SELF-PORTRAIT SELF-TIMER
OTHERS
Interval Recording, ISO AUTO Min. SS, Bright Monitoring, Copyright Info, Set File Name, Save/Import Settings, Help guide, Video Light Mode, Zoom Ring Rotate
TYPE
Electronically-controlled, vertical-traverse, focal-plane type
SHUTTER TYPE
Mechanical shutter/Electronic shutter
SHUTTER SPEED
Still images: 1/8000 to 30 s, Bulb, Movies: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode (up to 1/30 in Auto slow shutter mode)
FLASH SYNC. SPEED
1/250 seconds
ELECTRONIC FRONT CURTAIN SHUTTER
Yes (ON/OFF)
SILENT SHOOTING
Yes (ON/OFF)
TYPE
Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)
COMPENSATION EFFECT
5.5 stops (based on CIPA standard. Pitch/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)
TYPE
GUIDE NO.
FLASH COVERAGE
CONTROL
Pre-flash TTL
FLASH COMPENSATION
+/- 3.0 EV (switchable between 1/3 and 1/2 EV steps)
FLASH MODES
Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction (on/off selectable), Wireless, Hi-speed sync.
RECYCLING TIME
EXTERNAL FLASH COMPATIBILITY
Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor for flash compatibility with the Auto-lock accessory shoe
FE LEVEL LOCK
Yes
WIRELESS CONTROL
Yes (Light signal: Available with Fill-flash, Slow Sync., Hi-speed sync. / Radio signal: Available with Fill-flash, Rear Sync., Slow Sync., Hi-speed sync.)
DRIVE MODES
Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket
CONTINUOUS DRIVE SPEED (APPROX. MAX.)
Continuous shooting: Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps
NO. OF RECORDABLE FRAMES (APPROX.)
JPEG Extra Fine L: over 1,000 frames, JPEG Fine L: over 1,000 frames, JPEG Standard L: over 1,000 frames, RAW: over 1,000 frames, RAW and JPG: over 1,000 frames, RAW (Uncompressed): over 1,000 frames, RAW (Uncompressed) and JPG: over 1,000 frames
SELF-TIMER
10 s delay / 5 s delay / 2 s delay / Continuous self-time / Bracketing self-timer
PIXEL SHIFT MULTI SHOOTING
PHOTO CAPTURE
Yes
MODES
Single (with or without shooting information Y RGB histogram and highlight / shadow warning), Index view, Enlarged display mode (L: 10.6x, M: 6.92x, S: 5.32x), Auto Review, Image orientation, Folder selection (Date / Still / Movie), Protect, Rating, Display as Group
PC INTERFACE
Mass-storage / MTP
MULTI/MICRO USB TERMINAL
Yes, Type-C® Terminal (SuperSpeed USB 5 Gbps [USB 3.2] compatible)
BLUETOOTH®
Yes (Bluetooth Standard Ver. 5.0 [2.4 GHz band])
MULTI INTERFACE SHOE
Yes (with Digital Audio Interface)
MIC TERMINAL
Yes (3.5 mm Stereo minijack)
SYNC TERMINAL
HEADPHONE TERMINAL
Yes (3.5 mm Stereo minijack)
VERTICAL GRIP CONNECTOR
Yes
LAN TERMINAL
FUNCTIONS
FTP Transfer Func.,View on Smartphone, Remote control via Smartphone, NFC One-touch remote, PC Remote, BRAVIA Sync (Control for HDMI), PhotoTV HD
MICROPHONE
Built-in, stereo
SPEAKER
Built-in, monaural
COMPATIBLE STANDARDS
Exif Print, Print Image Matching III
TYPE
Custom key settings, Programmable Setting (Body 3 sets / memory card 4 sets), My Dial Settings, My Menu, Reg Cust Shoot Set
SETTING
Peripheral Shading, Chromatic Aberration, Distortion
SUPPLIED BATTERY
One rechargeable battery pack NP-FZ100
BATTERY LIFE (STILL IMAGES)
Approx. 510 shots (Viewfinder) / Approx. 600 shots (LCD monitor) (CIPA standard)
BATTERY LIFE (MOVIE, ACTUAL RECORDING)
Approx. 80 min (Viewfinder) / Approx. 95 min (LCD monitor)(CIPA standard)
BATTERY LIFE (MOVIE, CONTINUOUS RECORDING)
Approx. 130 min (Viewfinder) / Approx. 135 min (LCD monitor) (CIPA standard)
INTERNAL BATTERY CHARGE
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
POWER CONSUMPTION WITH VIEWFINDER
Still images: Approx. 4.3 W (with FE 28–70 mm F3.5–5.6 OSS lens attached), Movies: Approx. 7.6 W (with FE 28–70 mm F3.5–5.6 OSS lens attached)
POWER CONSUMPTION WITH LCD SCREEN
Still images: Approx. 3.3 W (with FE 28–70 mm F3.5-5.6 OSS lens attached), Movies: Approx. 7.3 W (with FE 28–70 mm F3.5-5.6 OSS lens attached)
USB POWER SUPPLY
Yes (Available with USB Type-C Terminal. USB Power Delivery compatible)
OPERATING TEMPERATURE
32 – 104 degrees F / 0 – 40 degrees C
WEIGHT (WITH BATTERY AND MEMORY CARD INCLUDED)
Approx. 699 g, approx. 1 lb 8.7 oz
DIMENSIONS (W X H X D)
Approx. 128.9 mm x 96.9 mm x 80.8 mm, Approx. 128.9 mm x 96.9 mm x 69.7 mm (FROM GRIP TO MONITOR), Approx. 5 1/8 x 3 7/8 x 3 1/4, Approx. 5 1/8 x 3 7/8 x 2 3/4 (FROM GRIP TO MONITOR)

Additional information

Brand

Sony

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