Atomos Ninja V Pro Kit

Atomos Ninja V Pro Kit

Up to 6K RAW recording via HDMI and SDI!
The Ninja V Pro Kit has been designed to bridge the gap between compact cinema and mirrorless cameras that can output RAW via HDMI or SDI. Pro Kit also pushes the limits of these cameras, recording up to 6K 12-bit RAW* externally on the Ninja’s onboard SSD. Pro Kit also provides the ability to cross convert signals providing a versatile solution for monitoring and playout/review.

Everything you’d expect from Ninja V
The robust aluminium 5″ monitor-recorder allows for a compact rig set-up for camera owners and operators to work with all the latest cameras. Perfect for run and gun productions, documentary filmmaking and for those close-up shots that require the camera operator to be flexible or mobile.

The Ninja V’s compact 5″ 1000nit screen is designed to provide a foundation for scalability and modularity. Combined with the AtomX SDI module and some serious tuning under the hood the Pro Kit provides the ability to record RAW via SDI from some of the best compact cinema cameras on the market.

No RAW, no problem. The Ninja V monitor-recorder is a flexible tool that can work as a HDMI/SDI ProRes monitor-recorder. Worry less when it comes to battery management and excess weight as the Pro Kit is designed to be powered via DTap from your camera battery or rig. Pro Kit also includes a AtomX 5″ Sunhood providing increased monitoring options outdoors, and reduced ambient light for when monitoring in HDR.

Powerful & versatile I/O
Adding dual 12G SDI connectivity expands the compatibility with other cameras to provide offboard 10-bit 422 recording in edit ready codecs or as proxy files from RED or Arri cameras allowing the file naming and timecode from the camera to also be carried via SDI to the recorded files.

And of course the Ninja V also provides support for RAW over HDMI from our evergrowing roster of mirrorless cameras including the Sony Alpha 7S III, Z CAM E-2 Series, Nikon Z-Series, Lumix S Series, Olympus OM-D EM-1X, Olympus OM-D M1 MkIII and more.

The flexibility to suit any production
In playback mode the Ninja V Pro Kit provides a lossless signal distribution with 2 x 12G SDI and 1 x HDMI 2.0 for simultaneous outputs up to 4K p60. When used in combination with the Ninja’s playlist functionality it provides a fast and convenient way to review content or show a highlight reel. RAW inputs can also be de-bayered in real time and non-standard high resolutions are processed to SMPTE standard output formats. Convert to HLG, PQ or your choice of 3D LUT can also be applied allowing for RAW or LOG content to be viewed with the correct application of artistic intent.

Existing Ninja V and SDI module owners
For existing Ninja V and SDI module owners you will have the opportunity to upgrade your monitor and module with a paid upgrade of $99 to enable RAW over SDI from the selected cameras.

Accurate and reliable daylight viewable HDR or SDR
With 1000nits, high pixel density the 5” screen provides clear and accurate monitoring for HDR and SDR. Using the AtomHDR engine the Ninja V provides a managed colour pipeline, matching the camera Gamma and Gamut on the input and select to view this as 709, Log with a 3DLUT or utilise the engine to accurately map the dynamic range of your camera LOG to HLG or PQ HDR standards
Whilst other monitors might boast a brightness of over 2000nits, the perceptual benefit can be limited. Simply opting for an increased backlight with no regard for the quality of the image can defeat the point in an external monitor. The Ninja V focuses on image integrity but to increase the perceived brightness in the most difficult bright conditions or to dial out ambient light to increase the view in HDR, the Pro Kit includes the AtomX 5” Sunhood. Simply clip on the mount frame and insert the hood, even leave the frame in place to provide added protection for your monitor.

HDMI-to-SDI cross conversion
Adding the SDI module to the Ninja V Platform more than doubles it’s I/O functionality. To complement the inputs, HDMI or SDI connections can be cross converted, DCI cropped and 4k to HD down converts for video signals to provide a bridge between equipment such as EVFs, wireless TX/RX without the need for additional convertors.

Ninja V Pro Kit power options
The Pro Kit offers 3 ways to power your Ninja

• In the Studio you can use the included DC power supply with lockable jack to connect to the Ninja V and with the international power plugs you’ll be covered wherever your work might take you.
• On-set via the included DTap cable to connect to your choice of battery with a DTap output meaning your camera rig can run from a single power source.
• On the move with a compact rig you also have the choice to run the Ninja directly from an optional NPF battery or any 4 cell NPF you might have in your kit bag.

The ProRes RAW Advantage
ProRes RAW is now firmly established as the new standard for RAW video capture, with an ever growing number of supported HDMI and SDI cameras. ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes.

The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making it ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported.

Manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is fully supported in Final Cut Pro, Adobe Premiere Pro, Avid Media Composer 2020.10 update, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront, FilmLight Baselight and Grass Valley Edius.

Specifications

Physical Specifications
Dimensions (W x H x D mm)	151 x 91.5 x 31mm (Ninja only)
Weight	360g / 12.7oz
Mount points	1 x Anti rotation 1/4″ / 3/8 top and bottom
Environmental
Ambient operating temperature	Up to 40° Celsius
Construction and Control
Body	Aluminium with ABS plastic
Cooling	Actively controlled fan and heat sink
Tally light	Rear and front
Multi-function button	Power / lock Screen
AtomXpansion slot	Yes
Power
Input voltage	6.2V to 16.8V
Operating power	5.8-7.2v
Compatible batteries	NPF L series
Battery Run time (Record)	5200mAh – up to 2hrs (monitor & record 4K 60p)<br/>7800mAh – up to 3hrs (monitor & record 4K 60p)
Continuous power	Via Optional AtomX SYNC Module
DC in connector	Via DC Jack on Battery eliminator
Dtap	via battery eliminator and optional DTap to DC cable
Display
Touchscreen	SuperAtom IPS panel (capacitive touch)
Size	5.2″
Resolution	1920 x 1080
PPI	1920 x 1080
Bit depth	10Bit (8+2 FRC)
Backlight Type	Edge lit
Brightness (cdm2 / nits)	1000
Aspect ratio	16:9
Color Gamut	Rec.709
Calibration support	Atomos Calibrator with Xrite i1 Display Pro / Plus (Retail)
Color Pipeline
Gamma	Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic Vlog, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
Gamut	BT2020, DCI P3, PDCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine / Canon Cinema / DCI P3 / DCI P3+ / BT2020 Panasonic V Gamut Arri Alexa Wide Gamut Rec709 JVC LS300 Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut”
3D LUT Display	.Cube Format
3D LUT Down Stream	Loop out
3DLUT 50/50	Yes
Monitoring Modes	Native / HLG / PQ / 3D LUT
HDR output Conversion	Log / HDR to HLG / PQ / Dolby Vision
Video Input
HDMI	1 x HDMI (2.0) 4k p60
HDMI RAW	ProRes RAW up to 6k
SDI	2 x 12G SDI Backwards compatible Auto detection via included AtomX SDI module
SDI RAW	ProRes RAW up to 6k
Bit Depth	8/10Bit Video / RAW up to 16Bit
Video Chroma Subsampling	4:2:2
Metadata
HDMI	RAW – white balance, Exposure index, Shutter speed/angle, Iris F stop, ISO, Gamma, gamut
SDI	File Name from Arri, RED
Video Output
HDMI	1 x HDMI (2.0) 4k p60
SDI loop out	1 x 12G SDI Backwards compatible Autodetection via included AtomX SDI module – level A and B selectable
SDI Play out	2 x 12G SDI Backwards compatible Autodetection AtomX SDI module – level A and B selectable
Video Chroma Subsampling	4:2:2
Bit Depth	10-bit video
Web Streaming
USB UVC	Optional via Connect 4k
Video Signal Conversion
HDMI to SDI	Yes – Video and RAW
SDI to HDMI	Yes – Video and RAW
Audio In/Out
Audio Quality	24/48kHz
Audio Codec	PCM
HDMI	8ch 24Bit, input dependent
SDI	12ch 24-bit, input dependent
Analogue Audio in	3.5mm 2ch.
Headphone out	3.5mm 2ch.
Timecode / Sync
Embedded	HDMI and SDI
Time of day	Yes, Time and Date
LTC	via 3.5mm audio Jack input (Requires post processing)
Wireless SYNC	via 3.5mm audio Jack input (Requires post processing)
Resolution and Frame Rates (Record, Monitor & Playback)
6k	RAW Only up to 30p via HDMI and SDI (Camera dependent 5.9k HDMI and 5.7k SDI)
4k DCI	23.98/24/25/29.9/30/50/59.94/60p
4k UHD	23.98/24/25/29.9/30/50/59.94/60p
2K DCI 2046 x 1080	2k DCI: 23.98/24/25/29.9/30/50/59.94/60p / Sony FX9 RAW up to 180p
Anamorphic	3.5k: RAW up to 60p (from supported cameras only)
FHD 1920 x 1080 Progressive	23.98/24/25/29.9/30/50/59.94/60/100/120p
FHD 1920 x 1080 PsF	Converted to P and looped out PsF
FHD 1920 x 1080 Interlaced	23.98/24/25/29.9/30/50/59.94/60i
1280 x 720p	50/59.94/60p
Recording CODEC
Apple ProRes RAW	ProRes RAW, HQ
Apple ProRes	LT, 422, 422HQ
Avid DNxHD	DNxHD 220x,220,145,36
Avid DNxHR	LB, SQ, HQ, HQX.
Playback
Playlist	Yes, Create customer play lists from full or sub clips
Loop	Yes, with user customisable in / out markers
Apple ProRes Raw	Yes, recorded clips
Apple ProRes	Yes, with Linear PCM audio
Avid DNx	Yes, with Linear PCM audio
Recording functions
Pre-roll record	Yes (HD 8s, 4K 2s) – Not available in RAW
Timelapse	Yes
Multi Input / Switching
SDI A/B toggle	Yes, Up support up to 12G SDI per input
Supported media
Master Caddy I	Not compatible
SSDmini	Native Size and Fit
CFast II	via Supported cards via optional SSDmini CFAST II Adaptor
File Naming	Unit Name – Scene/Shot/Take, Arri & RED via SDI
File System	ExFAT
On screen tools
MultiScope Analysis View	Yes, 3 size / Position
Histogram	Yes, 3 size / Position
RGB parade	Yes, 3 size / Position
Vector scope	Yes, 2 size / Position
1 x Zoom	Yes. 1:1 Pixel mapping for 4k
2 x Zoom	Yes
Focus peaking	Colour selected / threshold setting / colour / Mono / edges only
False colour	Yes, with Scale
Zebra	Yes, Adjustable
Isolate color channel	Blue Only
Cine Frame Guides	2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides	9:16, 1:1, 191:1, 4:5
Safe areas	Action and Graphic
Grid markers	9 grid
Anamorphic desqueeze	1.25x 1.33x , 1.5x ,1.8x ,2x
Display Flip	Vertical Only
Onboard Signal Processing
Pulldown Removal	24/25/30pSF > 24/25/30p (2:2 pulldown) 60i > 24p (3:2 pulldown)
4K UHD Downscale for HD	Loop out – 4K UHD to FHD
DCI Crop	Loop out – 17:9 to 16:9 Crop
Remote control
HDMI	Auto HDMI Trigger, Supported Protocols – Canon, Sony, Atomos Open Standard
SDI	SDI trigger camera selectable
Serial 2.5mm Jack	LANC control and calibration via optional USB to serial cable
Bluetooth LE	via optional AtomX SYNC module
Wireless RF	via optional AtomX SYNC module
External Device Control
Serial 2.5mm Jack	Camera control for supported cameras via Optional USB to Serial Cable
Bluetooth LE	Via optional AtomX SYNC module to compatible devices
Wireless RF	Via optional AtomX SYNC module to compatible devices
Supported Applications
XML	Cut tag EDL in FCPX XML
Apple ProRes RAW	Apple FCPX, Adobe Premier, After Effects, Avid Media Edius, Assimilate Scratch, Baselight Film Light.
Video Codecs	All Applications with support for ProRes and Avid DNX in .MOV wrapper
What’s in the box
Accessories included	Ninja V with SDI RAW Pre-Activated, AtomX SDI module, 1 x Battery eliminator, 1 x international DC power supply,1 x DTap Cable, 1 x AtomX 5” Sunhood, QuickStart Guide
Optional extras	Power kit, HDMI cables, USB to serial cable, AtomX SYNC module
Warranty
Standard	1 year. Extended to 3 years on product registration
Target use / User
Target use / User	Mirrorless cameras, compact cinema cameras, cinema, director monitor, games capture, streaming, pro video, gimbal, crane, hobbyist, wedding videographer

 

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