Neumann Tlm102 Large Diaphragm Condenser Studio Microphone Set |  cardioid Pattern | 20hz–20khz | Ideal For Studio Recording, Vocals, Instruments, Podcasting & Broadcast Applications

Neumann TLM 102: Legendary Neumann Sound in a Compact Body

A new large-diaphragm cardioid capsule, a maximum SPL of 144 dB and a self-noise of only 12 dB-A make the TLM 102 a versatile studio microphone for vocals, speech and loud instruments.

Built for Vocals, Podcasts and Project Studios

A great voice recording depends on a microphone that is clear, quiet and forgiving. The TLM 102 offers a gentle boost above 6 kHz for vocal presence, a built-in pop screen for plosives and transformerless circuitry for low noise, so you spend less time fixing recordings.

What It Is

The TLM 102 is a cardioid, large-diaphragm condenser studio microphone with a metal housing and an elastic capsule suspension. It uses standard 48 V phantom power, has an XLR connector and is supplied with a stand mount.

Key Features

• Large-diaphragm cardioid capsule: Captures fast transients and fine detail from vocals and acoustic instruments.
• 144 dB maximum SPL: Handles drums, amplifiers and brass without distortion.
• 12 dB-A self-noise: Transformerless circuitry keeps recordings clean, even for quiet sources.
• Slight boost above 6 kHz: Adds presence to vocals and speech within an otherwise linear response.
• Integrated pop screen: The grille reduces plosives when recording close to the microphone.
• Elastic capsule suspension: Reduces handling and structure-borne noise.

Why the Neumann TLM 102 Stands Out

The TLM 102 is much smaller than most studio condensers, so it fits tighter setups and is easier to position. It carries Neumann’s engineering in a compact housing at a price that suits home and project studios, and its clear sight lines make it good for broadcasting, where talent and presenters need to see each other.

Getting the Best From the TLM 102

Place the microphone about 15 to 20 cm from the singer or speaker and slightly off-axis to reduce plosives and sibilance. The integrated pop screen helps, but good technique still matters. Use a clean preamp or audio interface with 48 V phantom power, and record in a treated room or a corner with soft furnishings where possible, because a sensitive condenser also captures the room.

Perfect For

• Singers and voice-over artists
• Podcasters and broadcasters
• Producers recording acoustic guitar, percussion and amps

Best Suited For

Anyone who wants a professional condenser microphone that can handle voices and loud sources. You will need a 48 V phantom-powered preamp or audio interface, and a shock mount is not included.

Our Promise

Every unit we sell is 100% genuine and brand new, covered by the official manufacturer warranty. You receive a proper GST invoice with your order, and we ship free across India.

Frequently Asked Questions

Does it need phantom power?

Yes. It runs on 48 V phantom power through its XLR connector.

What polar pattern does it have?

It has a cardioid pattern, which picks up from the front and rejects sound from behind.

What is in the box?

The microphone and a stand mount. A shock mount is not included.

Technical Specifications

Manufacturer Information

The TLM 102 defines a new generation of Neumann studio microphone. It sets a new performance and value standard for microphones. It’s reduced overall size contributes to an exceptionally compact appearance, which unites all of the typical design components of a Neumann microphone. The harmonious proportions and gleaming grille ring ensure that even at first glance, the TLM 102 attracts attention. The TLM 102 delivers impressive sound. It’s newly developed large-diaphragm capsule (cardioid) clocks a maximum sound pressure level of 144 dB, permitting the recording of percussion, drums, and amps at extremely high output levels. Acoustic instruments benefit from the exceptionally fast transient response of the TLM 102. Where the TLM102 really shines is with vocals and speech. It has a slight boost above 6 kHz providing excellent vocal presence in an overall mix. Up to 6 kHz the frequency response is extremely linear, ensuring minimal coloration and a clearly defined, extended bass range. A pop screen integrated into the grille serves to suppress plosives in vocal and speech recording. Due to its price and flexible field of application, the TLM 102 is ideal for home recording and project studio, as well the broadcasting area, especially when clear lines of sight to the speakers are a priority. The TLM 102 is available in black and nickel; a stand mount is included. The capsule has an elastic suspension system reducing handling and structure-borne noise. Compact Yet Powerful: The TLM 102 delivers legendary Neumann sound with a large diaphragm capsule, offering outstanding clarity, warmth, and detail in vocals and instruments despite its compact size Tailored Vocal Performance: Slight treble boost above 6 kHz enhances presence and vocal intelligibility, making it suitable for voiceovers, podcasts, singing, and speech applications Handles High SPL with Ease: With a maximum SPL of 144 dB, it captures loud sources like drums, amps, and brass, delivering distortion-free recordings even at extreme sound levels Low Self-Noise Design: Transformerless circuitry ensures ultra-low self-noise (only 12 dB-A), giving you pristine recordings with minimal background interference Sleek & Sturdy Build: Features a robust metal housing with an integrated pop screen and stylish grille, making it both visually striking and studio-ready for daily professional use Cardioid Polar Pattern: Directional cardioid pickup pattern effectively isolates the sound source while minimizing unwanted ambient noise and feedback from the sides and rear Wide Frequency Response: Covers the full 20Hz to 20kHz frequency range with exceptionally linear response up to 6 kHz, ensuring minimal coloration and clearly defined, extended bass range Fast Transient Response: Newly developed large-diaphragm capsule captures exceptionally fast transients, making it well-suited for acoustic instruments and dynamic vocal performances