
Behringer U-PHORIA UMC204HD USB Audio Interface
SKU BEHRINGER-U-PHORIA-UMC204HD
Original price was: ₹18,699.₹13,966Current price is: ₹13,966. Save ₹4,733 (25%)
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Behringer U-PHORIA UMC204HD is a 2 × 4 USB audio interface with 2 Midas-designed microphone preamps and support for up to 24-bit/192kHz audio.
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Behringer U-PHORIA UMC204HD is a 2 × 4 USB audio interface with 2 Midas-designed microphone preamps and support for up to 24-bit/192kHz audio.
Product details
Behringer U-PHORIA UMC204HD USB Audio Interface
Behringer U-PHORIA UMC204HD is a 2 × 4 USB audio interface with 2 Midas-designed microphone preamps and support for up to 24-bit/192kHz audio.
Why Choose Behringer U-PHORIA UMC204HD?
The UMC204HD provides a computer recording and playback connection for a correctly configured home or project studio. Two analogue inserts, MIDI I/O and additional playback outputs distinguish this model from UMC202HD. The total interface channel designation should be read separately from the number of physical microphone preamps. Choose microphone, line or instrument operation from the exact input controls and enable phantom power only for compatible sources. A supported driver and sensible software buffer help establish the recording workflow. Maximum sample rate describes a supported operating mode; it does not ensure every application, digital expansion route or computer setup will use that mode simultaneously.
Key Features
- 2 microphone preamps: Midas-designed input stages.
- USB audio: computer recording and playback.
- 24-bit operation: up to 192kHz supported.
- Hardware monitoring: documented listening controls.
Best Suited For
Home studios, voice production and music recording with a supported computer. Plan the number of simultaneous sources before choosing an interface: a microphone preamp, an instrument socket and a digital expansion port have different jobs. Match the monitoring arrangement to the session so the performer can hear a useful balance of the live source and playback.
Setup and Connection Guide
Install the appropriate manufacturer driver and control software for the operating system, then select the interface in the recording application. Connect each source to its intended input type and enable phantom power only for equipment that requires it. Perform the loudest expected passage while setting gain, leaving room below overload. Start headphone and monitor levels low. Choose direct or software monitoring deliberately to avoid hearing doubled audio, and make a short test recording before a full session.
Frequently Asked Questions
Does UMC204HD require every session to run at 192kHz?
No. Choose a supported session rate appropriate to the application and connected equipment. The maximum is an available mode, not a requirement or a guarantee that a recording will sound better merely because the rate is higher.
Can the line outputs power passive speakers?
Line outputs provide an audio signal rather than loudspeaker-driving power. Use powered monitors or a suitable separate power amplifier for passive speakers. Headphone sockets and monitor outputs also serve different loads.
Does the advertised channel count equal the number of microphone sockets?
Check the physical analogue inputs separately. Total channel counts can include digital expansion, line outputs and headphone routes. External preamps and suitable digital connections may be needed to reach the maximum advertised configuration.
Technical Specifications
| Specification | Detail |
|---|---|
| Model | U-PHORIA UMC204HD |
| Interface designation | 2 × 4 |
| Microphone preamps | 2 |
| Maximum supported resolution | 24-bit / 192kHz |
| Connection | USB audio |
| Microphone power | Documented +48V phantom arrangement |
| Additional facilities | Two analogue inserts, MIDI I/O and additional playback outputs distinguish this model from UMC202HD. |
| Software setup | Check current OS/driver compatibility |
Explore Related Equipment
Explore Behringer U-PHORIA UMC202HD USB Audio Interface and compare its role, connections and compatibility with the setup you are planning.
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